HOW DOES MARY USE COLLECTIONS AND DISPLAY?

COLLECTIONS:
She loves going to museums and galleries. Sometime when she finds stuff or collect objects she re-design it and sometimes she makes things that she sees. She collects old jellwers and then she re-new them.


DISPLAY:
Mary loves the idea of loving jawrs or our body, why? to show a girl or a women is a decorative display. Function is a word that opened Marys alienation. She takes element from tapa wear to shirts/clothing different element to play around with it. She like to show everyone what she can do with found objects.

INFLUENCE:
She was influence by Herman Junger, He finds objects anywhere then he turns them in to art by drawing 2D and 3D on them. She  says "you really have to look to see the beauty  in it. She was influence by Frances, because she likes to collect objects.

SPACE:
She was inspired by Helen Buttons work table  because when she collects stuff or objects she uses her table to spraeds all of the objects or stuff that she finds then put it in to a art work, so Mary started to use that so when she collects stuff she use her studio table and spread out the things that she finds then she tries to design somthing that will look good, then she will take a photo of it then she will try change it around and try make it look different then the first one.

PRESENTATION:
It is inportant to have a good presentation beaucse it can help a bad art work look good. If you have a  bad presentation it can kill your art work.

WHAT IS YOUR OWN EXPRENCE POSITIVE AND NEGETIVE OF AN DISPLAY OF AN ART WROK?
 The way i look at an art work, if i like it then ill trie my best to understand what they are trieing to say and if i dont like it ill just walk away from it because it will be hard for me to understand what they are trying to say.

HOW DOES FRANCES USE COLLECTIONS IN HER ART WORK?

She collects anything that she finds  and turn it in to art. Many of Frances objects are extremely ordinary, there function just outside our awareness because they are so thoroughly embed in everyday experience, such things as facecloths, oven mitts, handicraft how to manuals and the headboards of children single beds. Her collection has a preference for facecloths an Owen has  personalized usual through the addition of a crocheted. she sees in them an expression of a broader urge to modify miss-produced objects to assert personal style and speak for her of the ways people attempt to individualize their environment through interior decoration". Hansen has work with a certain type of domestic object in her practice for something. they are largely objects that exist on the fringes of our market economy, things that are to good to throw away, but of no immediate use. There is a strong sense of thriftiness in her selection and an interest in making the most of what she has. She wants us to notice more, to pay attention to the small gestures our environments and to think about these action as the everyday work of art.

HOW DO YOU USE COLLECTIONS IN YOUR LIFE AND ART?

For life i use collections of rugby players because that one of the sports that i love to play. In my room, my wall is full of ruby stars that i like and im Bing play this sports when i was 6 until now. I use rugby players in my art, i like to redesign the photos in to something that you haven't seen be for. This is one off the rugby jersey that i photo shop, this is a QLD jersey.

NAME ANOTHER ARTIST WHO WORKS WITH COLLECTIONS/ OF STUFF?

DEMIEN HIRST

Damien Hirst's obsessive collecting could prove the death of his own creativity

The opening-night queues for Damien Hirst's exhibition at the Serpentine Gallery snaked out on to the pristine grass of Kensington Gardens. A consummate collector with a fortune worth more than £100m, Hirst has acquired an artistic treasure trove in the course of his career. He has also amassed hordes of hangers-on: groomed and glistening models and celebrities, paparazzi and press, curators and admirers. This time, they had gathered not to admire Hirst's own work, but to see his "Murderme" art. Hirst started collecting 15 years ago, exchanging works with his friends Tracey Emin, Angus Fairhurst and Sarah Lucas. Since those days he has expanded it with his wealth, and it includes works by his A-list "heroes", such as Francis Bacon, Jeff Koons and Andy Warhol. Hirst has even started to buy back his own work, in what he calls "[showing] confidence in your own product". But he has chosen not to include this in the exhibition, allowing others of his generation - particularly Lucas, whose pithy one-liners punctuate the show - to shine.